niedziela, 25 czerwca 2017

NAK Trio & Arcos – Ambush (2017)

NAK Trio & Arcos

Dominik Wania - wurlitzer, fender rhodes
Michał Kapczuk - double bass
Jacek Kochan - drums
Mateusz Smoczyński - violin
with strings

Ambush



FOR TUNE 0122

By Adam Baruch

This is the second album by Polish Jazz ensemble called NAK Trio, led by veteran drummer/composer Jacek Kochan and also including pianist Dominik Wania and bassist Michał Kapczuk. The trio is accompanied by a nine players strong string section, which includes violinist Mateusz Smoczyński, who plays solos on a couple of tracks. The album presents eight original compositions, all by Kochan and all arranged by him except for one of the string arrangements done by Smoczyński.

The music is quite complex and although melody based, in features confusing rhythmic patterns and fragmented pieces of melodies, which don't make it easy on the listener to find his way along the tunes. The string arrangements add another layer of complexity to the proceedings and the final result presents music which moves between modern Contemporary Classical elements and Jazz and require attentive listening and patience.

Wania, who plays electric piano on this album (Fender Rhodes and Wurlitzer), is the chief soloist and his playing is, as usual, very convincing and technically perfect. He handles the odd meters and tempi changes with ease and elegance. Kapczuk supplies the basic bottom lines all along with a few nice solos on the way. Kochan delivers the complex polyrhythmic drive with obvious talent and skill.

Overall this is a very ambitious undertaking, which might be a tad too much for the average Jazz listener. The electric piano combined with the Classical sound of the strings and the unfamiliar rhythmic patterns are an acquired taste. Wania's piano playing and the violin solos are the highlights of this unusual album, which is definitely worth investigating by the more motivated listeners. The album also emphasizes the diversity and multifaceted involvedness of the Polish Jazz scene.

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